« Le renouveau de la céramique dans l'art contemporain - Céline Cadaureille/en » : différence entre les versions

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== Abstract ==
There is a renewed interest in ceramics, with handwork making a strong comeback in contemporary art. Céline Cadaureille provides an historical overview before presenting the work and the renaissance of ceramic practices.
There is a renewed interest in ceramics, with handwork making a strong comeback in contemporary art. Céline Cadaureille provides an historical overview before presenting the work and the renaissance of ceramic practices.
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== Article ==
{{EmbedVideo|service=youtube|id=https://www.youtube.com/watch?v=5vs5mbhpDAI&list=PL0IPRwxrsM5DsSvrwHCn3DtEj7sgoW-z7&index=2}}
{{EmbedVideo|service=youtube|id=https://www.youtube.com/watch?v=5vs5mbhpDAI&list=PL0IPRwxrsM5DsSvrwHCn3DtEj7sgoW-z7&index=2}}
Céline Cadaureille Céline Cadaureille is a lecturer in plastic arts at the Université Jean Monnet in Saint-Étienne, and is involved in plastic and theoretical research. An associate member of the LLA-Créatis laboratory, she is attached to the CIEREC to pursue her research, which focuses on contemporary sculpture, installation and performance. She has contributed to numerous collective works and recently co-edited ''La dynamique du mou'' (ed. PUM).
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== Notes & Références ==
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== Bibliographie ==
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  [[Category:artiste]][[Category:œuvre]][[Category:technique]]
  [[Category:artiste]][[Category:œuvre]][[Category:technique]]

Dernière version du 28 janvier 2024 à 21:32

Abstract

There is a renewed interest in ceramics, with handwork making a strong comeback in contemporary art. Céline Cadaureille provides an historical overview before presenting the work and the renaissance of ceramic practices.

Article

Céline Cadaureille Céline Cadaureille is a lecturer in plastic arts at the Université Jean Monnet in Saint-Étienne, and is involved in plastic and theoretical research. An associate member of the LLA-Créatis laboratory, she is attached to the CIEREC to pursue her research, which focuses on contemporary sculpture, installation and performance. She has contributed to numerous collective works and recently co-edited La dynamique du mou (ed. PUM).


Notes & Références


Bibliographie

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