Projet:Bibliographie

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  • Almeida, Teresa. (2011). O vidro como material plástico: transparência, luz, cor e expressão. Tese de Doutoramento. Universidade de Aveiro
  • Almeida, Teresa. (2021) A Pintura transparente de João Aquino Antunes. Revista GAMA, Estudos Artísticos. Volume 9, número 18, julho–dezembro 2021 ISSN 2182-8539, e-ISSN 2182-8725
  • Almeida, Teresa. (2022). O etéreo da luz e da cor no vitral – caso de estudo em três artistas portugueses”,  Revista Éter, ISSN 2595-4814.
  • Almeida, Teresa. Emma, Lochorey, Stained Glass Workshop Heritage in Portugal with more than 100 Years. International Journal of Art and Art History. June 2021, Vol. 9, No. 1, pp. 1-12 ISSN: 2374-2321 (Print), 2374-233X (Online)
  • Gage, John.(1999).Color and culture. Practice and meaning from Antiquity to Abstraction. Universityof California Press, Thames & Hudson Ltd
  • Gage, John. (2006).Color and Meaning, Art, Science and Symbolism. Singapore: Thames&HudsonLtd
  • Itten, Johannes (1961).The art of color – the subjective and objective rationale of color. New York: Reinhold Publishing Corporation, 1961 (tradução Ernst van Haagen)