« Le renouveau des arts de l'objet et du textile - Annie Claustres/en » : différence entre les versions
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== Abstract == | |||
Annie Claustres presents material culture. She presents its current relationship to art, craft and design through different dimensions of analysis such as anthropology and art history. | Annie Claustres presents material culture. She presents its current relationship to art, craft and design through different dimensions of analysis such as anthropology and art history. | ||
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== Article == | |||
{{EmbedVideo|service=youtube|id=https://www.youtube.com/watch?v=JeHSXAg6nu8&list=PL0IPRwxrsM5BlkDKrhrYHo75t2JCRyiER&index=2}} | {{EmbedVideo|service=youtube|id=https://www.youtube.com/watch?v=JeHSXAg6nu8&list=PL0IPRwxrsM5BlkDKrhrYHo75t2JCRyiER&index=2}} | ||
Annie Claustres is an HDR lecturer in contemporary art history and theory at Université Lyon 2, and recently published Objets emblèmes, objets du don. Enjeux postmodernes de la culture matérielle, de 1964 à nos jours [Presses du réel, 2017], which analyzes the interactions between everyday object art and design in terms of material culture, and updates theories of the gift. She is a laureate of the Villa Kujoyama 2019. | |||
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== Notes & Références == | |||
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== Bibliographie == | |||
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[[Category:artiste]][[Category:œuvre]][[Category:technique]] | [[Category:artiste]][[Category:œuvre]][[Category:technique]] | ||
Dernière version du 28 janvier 2024 à 21:24
Abstract
Annie Claustres presents material culture. She presents its current relationship to art, craft and design through different dimensions of analysis such as anthropology and art history.
Article
Annie Claustres is an HDR lecturer in contemporary art history and theory at Université Lyon 2, and recently published Objets emblèmes, objets du don. Enjeux postmodernes de la culture matérielle, de 1964 à nos jours [Presses du réel, 2017], which analyzes the interactions between everyday object art and design in terms of material culture, and updates theories of the gift. She is a laureate of the Villa Kujoyama 2019.
Notes & Références