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The work of Caroline Achaintre (born 1969) has enjoyed considerable visibility in recent years: solo exhibitions at the Tate Britain in 2015, at Mo.Co. in Montpellier in 2019, at the CAPC in Bordeaux and at the Giuliani Foundation (Rome) in 2020, at the Kunstmuseum in Ravensburg in 2021... She has also taken part in recent group exhibitions on ceramics (@Les flammes@ at the Musée d’Art Moderne de la Ville de Paris in 2021 and @Contre-nature@ at Mo.CO. in 2022). Her work ranges from large tufted wool creations reminiscent of tapestries, to ceramics, and to a lesser extent to basketry structures. The forms, by turns disturbing and fantastic, sometimes evoke primitive masks. Her work is therefore part of an evolution that is currently underway in the contemporary scene, with works that affirm a form of materiality, or even a link with craft practices.
The work of Caroline Achaintre (born 1969) has enjoyed considerable visibility in recent years: solo exhibitions at the Tate Britain in 2015, at Mo.Co. in Montpellier in 2019, at the CAPC in Bordeaux and at the Giuliani Foundation (Rome) in 2020, at the Kunstmuseum in Ravensburg in 2021... She has also taken part in recent group exhibitions on ceramics (Les flammes at the Musée d’Art Moderne de la Ville de Paris in 2021 and Contre-nature at Mo.CO. in 2022). Her work ranges from large tufted wool creations reminiscent of tapestries, to ceramics, and to a lesser extent to basketry structures. The forms, by turns disturbing and fantastic, sometimes evoke primitive masks. Her work is therefore part of an evolution that is currently underway in the contemporary scene, with works that affirm a form of materiality, or even a link with craft practices.

Dernière version du 17 décembre 2023 à 16:03

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'''Caroline Achaintre est née en 1969. Ces dernières années, son œuvre a bénéficié d’une importante visibilité : expositions personnelles à la Tate Britain en 2015, au MO.CO. à Montpellier en 2019, au CAPC-musée d’art contemporain de Bordeaux et à la fondation Giuliani de Rome en 2020, au Kunstmuseum de Ravensburg en 2021... L’artiste a également participé aux expositions collectives récentes sur la céramique (''les Flammes'' au musée d’Art moderne de Paris en 2021 et ''Contre-nature'' au MO.CO. en 2022). Son travail se décline entre de grandes réalisations en laine tuftée, qui peuvent s’apparenter à des [[tapisseries]], et la [[céramique]], auxquelles se sont ajoutées des structures en [[vannerie]]. Les formes peuvent évoquer des masques primitifs, des figures inquiétantes et [[fantastiques]]. Son œuvre est donc très représentative d’une évolution de la scène contemporaine vers des travaux qui affirment leur matérialité, voire un lien avec l’artisanat.'''

The work of Caroline Achaintre (born 1969) has enjoyed considerable visibility in recent years: solo exhibitions at the Tate Britain in 2015, at Mo.Co. in Montpellier in 2019, at the CAPC in Bordeaux and at the Giuliani Foundation (Rome) in 2020, at the Kunstmuseum in Ravensburg in 2021... She has also taken part in recent group exhibitions on ceramics (Les flammes at the Musée d’Art Moderne de la Ville de Paris in 2021 and Contre-nature at Mo.CO. in 2022). Her work ranges from large tufted wool creations reminiscent of tapestries, to ceramics, and to a lesser extent to basketry structures. The forms, by turns disturbing and fantastic, sometimes evoke primitive masks. Her work is therefore part of an evolution that is currently underway in the contemporary scene, with works that affirm a form of materiality, or even a link with craft practices.

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