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	<title>Translations:Expositions à Bratislava : VERRE ET BIJOUX/5/en - Historique des versions</title>
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	<updated>2026-04-09T14:51:09Z</updated>
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	<entry>
		<id>https://artsandcraftsaujourdhui.com/w/index.php?title=Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/5/en&amp;diff=2594&amp;oldid=prev</id>
		<title>FuzzyBot : FuzzyBot a déplacé la page Translations:Draft:Expositions à Bratislava : VERRE ET BIJOUX/5/en vers Translations:Expositions à Bratislava : VERRE ET BIJOUX/5/en sans laisser de redirection : Partie de la page traductible « Draft:Expositions à Bratislava : VERRE ET BIJOUX »</title>
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		<updated>2024-01-27T17:50:03Z</updated>

		<summary type="html">&lt;p&gt;FuzzyBot a déplacé la page &lt;a href=&quot;/w/index.php?title=Translations:Draft:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/5/en&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Translations:Draft:Expositions à Bratislava : VERRE ET BIJOUX/5/en (page inexistante)&quot;&gt;Translations:Draft:Expositions à Bratislava : VERRE ET BIJOUX/5/en&lt;/a&gt; vers &lt;a href=&quot;/wiki/Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/5/en&quot; title=&quot;Translations:Expositions à Bratislava : VERRE ET BIJOUX/5/en&quot;&gt;Translations:Expositions à Bratislava : VERRE ET BIJOUX/5/en&lt;/a&gt; sans laisser de redirection : Partie de la page traductible « Draft:Expositions à Bratislava : VERRE ET BIJOUX »&lt;/p&gt;
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				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 27 janvier 2024 à 19:50&lt;/td&gt;
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		<author><name>FuzzyBot</name></author>
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		<id>https://artsandcraftsaujourdhui.com/w/index.php?title=Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/5/en&amp;diff=2406&amp;oldid=prev</id>
		<title>SJA le 12 janvier 2024 à 08:23</title>
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		<updated>2024-01-12T08:23:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 12 janvier 2024 à 10:23&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Ligne 1 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 1 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The current exhibitions brings together works by artists from different countries and continents, which &lt;/del&gt;The current exhibition brings together works by artists from different countries and continents, which were created during workshops in Lednicke Rovne. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Each &lt;/del&gt;of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;presented works suggests a different were created during workshops in Lednicke Rovne&lt;/del&gt;. Each of the presented &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;works &lt;/del&gt;suggests a different approach and a different direction. In some there is a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;approach and a different direction. In some there is a more noticeable link to tradition, in others &lt;/del&gt;more &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;noticeable &lt;/del&gt;link to tradition, in others traditional technology is revived by experimental &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;methods, others tend more towards projects teetering traditional technology is revived by experimental methods&lt;/del&gt;, others tend more towards &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;projects &lt;/del&gt;teetering on the edge of applied art and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;conceptual art&lt;/del&gt;. If there is one thing that unites these seemingly &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;on the edge of applied art and conceptual art. If there is one thing that unites these seemingly heterogeneoheterogeneous approaches, it is the emphasis on craft, technology and material starting points. We us approaches&lt;/del&gt;, it is the emphasis on craft, technology and material starting points. We believe that &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;it is &lt;/del&gt;this anchoring in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;believe that it is this anchoring in craft, &lt;/del&gt;craft, material and specific technology &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that has been able to convey material and specific technology that has been &lt;/del&gt;able to convey new themes to the participating artists, suggest new possibilities and place their work in surprising &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;new themes to the participating artists, suggest new possibilities and place their work in surprising new contexts.&lt;/del&gt;new contexts.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The current exhibition brings together works by artists from different countries and continents, which&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;were created &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in October 2023 &lt;/ins&gt;during &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;two-day &lt;/ins&gt;workshops &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in the glass factory &lt;/ins&gt;in Lednicke Rovne.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Courage, as the central theme of BDW, refers here to the time limitation, the performative aspect&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(communication and collaboration with glass blowers) as well as the experimental nature &lt;/ins&gt;of the&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;whole project&lt;/ins&gt;. Each of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;works &lt;/ins&gt;presented suggests a different approach and a different direction. In&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;some there is a more &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;perceptible &lt;/ins&gt;link to tradition, in others traditional technology is revived by&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;experimental &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;practices&lt;/ins&gt;, others tend more towards &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;objects &lt;/ins&gt;teetering on the edge of applied art and&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;concept&lt;/ins&gt;. If there is one thing that unites these seemingly &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;heterogeneous trends&lt;/ins&gt;, it is the emphasis on&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;craft, technology and material starting points. We believe that this anchoring in craft, material and&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;specific technology &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was &lt;/ins&gt;able to convey new themes to the participating artists, suggest new&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;possibilities and place their work in surprising new contexts.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SJA</name></author>
	</entry>
	<entry>
		<id>https://artsandcraftsaujourdhui.com/w/index.php?title=Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/5/en&amp;diff=2362&amp;oldid=prev</id>
		<title>SJA : Page créée avec « The current exhibitions brings together works by artists from different countries and continents, which The current exhibition brings together works by artists from different countries and continents, which were created during workshops in Lednicke Rovne. Each of the presented works suggests a different were created during workshops in Lednicke Rovne. Each of the presented works suggests a different approach and a different direction. In some there is a approach... »</title>
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		<updated>2024-01-08T18:24:16Z</updated>

		<summary type="html">&lt;p&gt;Page créée avec « The current exhibitions brings together works by artists from different countries and continents, which The current exhibition brings together works by artists from different countries and continents, which were created during workshops in Lednicke Rovne. Each of the presented works suggests a different were created during workshops in Lednicke Rovne. Each of the presented works suggests a different approach and a different direction. In some there is a approach... »&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nouvelle page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;The current exhibitions brings together works by artists from different countries and continents, which The current exhibition brings together works by artists from different countries and continents, which were created during workshops in Lednicke Rovne. Each of the presented works suggests a different were created during workshops in Lednicke Rovne. Each of the presented works suggests a different approach and a different direction. In some there is a approach and a different direction. In some there is a more noticeable link to tradition, in others more noticeable link to tradition, in others traditional technology is revived by experimental methods, others tend more towards projects teetering traditional technology is revived by experimental methods, others tend more towards projects teetering on the edge of applied art and conceptual art. If there is one thing that unites these seemingly on the edge of applied art and conceptual art. If there is one thing that unites these seemingly heterogeneoheterogeneous approaches, it is the emphasis on craft, technology and material starting points. We us approaches, it is the emphasis on craft, technology and material starting points. We believe that it is this anchoring in believe that it is this anchoring in craft, craft, material and specific technology that has been able to convey material and specific technology that has been able to convey new themes to the participating artists, suggest new possibilities and place their work in surprising new themes to the participating artists, suggest new possibilities and place their work in surprising new contexts.new contexts.&lt;/div&gt;</summary>
		<author><name>SJA</name></author>
	</entry>
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