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	<title>Translations:Expositions à Bratislava : VERRE ET BIJOUX/4/en - Historique des versions</title>
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	<updated>2026-05-19T07:47:39Z</updated>
	<subtitle>Historique des versions pour cette page sur le wiki</subtitle>
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	<entry>
		<id>https://artsandcraftsaujourdhui.com/w/index.php?title=Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/4/en&amp;diff=2808&amp;oldid=prev</id>
		<title>Wikisysop le 31 mars 2025 à 12:50</title>
		<link rel="alternate" type="text/html" href="https://artsandcraftsaujourdhui.com/w/index.php?title=Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/4/en&amp;diff=2808&amp;oldid=prev"/>
		<updated>2025-03-31T12:50:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 31 mars 2025 à 14:50&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Ligne 1 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 1 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Description ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Why Arts and Crafts today? Before the industrial era, craft was a natural part of production, but today the practice of &amp;quot;craft&amp;quot; takes on a different meaning. We believe that it is precisely because of the contrasting relationship craft versus industry that the legacy of the Arts and Crafts movement is still relevant and interesting. It leads us to reflect on our own (and collective) experiences with craft, tradition, technology, form and material. In time of disposable objects, when people easily throw things away, and in time of instant digital images, there is a natural need for tangible and real things. These are the reasons why the Academy of Fine Arts and Design in Bratislava decided to situate the international meeting of artists within the Arts and Crafts Today project in the centre of the glass industry in Slovakia, where the RONA glass factory is located.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Why Arts and Crafts today? Before the industrial era, craft was a natural part of production, but today the practice of &amp;quot;craft&amp;quot; takes on a different meaning. We believe that it is precisely because of the contrasting relationship craft versus industry that the legacy of the Arts and Crafts movement is still relevant and interesting. It leads us to reflect on our own (and collective) experiences with craft, tradition, technology, form and material. In time of disposable objects, when people easily throw things away, and in time of instant digital images, there is a natural need for tangible and real things. These are the reasons why the Academy of Fine Arts and Design in Bratislava decided to situate the international meeting of artists within the Arts and Crafts Today project in the centre of the glass industry in Slovakia, where the RONA glass factory is located.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wikisysop</name></author>
	</entry>
	<entry>
		<id>https://artsandcraftsaujourdhui.com/w/index.php?title=Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/4/en&amp;diff=2592&amp;oldid=prev</id>
		<title>FuzzyBot : FuzzyBot a déplacé la page Translations:Draft:Expositions à Bratislava : VERRE ET BIJOUX/4/en vers Translations:Expositions à Bratislava : VERRE ET BIJOUX/4/en sans laisser de redirection : Partie de la page traductible « Draft:Expositions à Bratislava : VERRE ET BIJOUX »</title>
		<link rel="alternate" type="text/html" href="https://artsandcraftsaujourdhui.com/w/index.php?title=Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/4/en&amp;diff=2592&amp;oldid=prev"/>
		<updated>2024-01-27T17:50:03Z</updated>

		<summary type="html">&lt;p&gt;FuzzyBot a déplacé la page &lt;a href=&quot;/w/index.php?title=Translations:Draft:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/4/en&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Translations:Draft:Expositions à Bratislava : VERRE ET BIJOUX/4/en (page inexistante)&quot;&gt;Translations:Draft:Expositions à Bratislava : VERRE ET BIJOUX/4/en&lt;/a&gt; vers &lt;a href=&quot;/wiki/Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/4/en&quot; title=&quot;Translations:Expositions à Bratislava : VERRE ET BIJOUX/4/en&quot;&gt;Translations:Expositions à Bratislava : VERRE ET BIJOUX/4/en&lt;/a&gt; sans laisser de redirection : Partie de la page traductible « Draft:Expositions à Bratislava : VERRE ET BIJOUX »&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 27 janvier 2024 à 19:50&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;fr&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(Aucune différence)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>FuzzyBot</name></author>
	</entry>
	<entry>
		<id>https://artsandcraftsaujourdhui.com/w/index.php?title=Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/4/en&amp;diff=2361&amp;oldid=prev</id>
		<title>SJA le 8 janvier 2024 à 18:24</title>
		<link rel="alternate" type="text/html" href="https://artsandcraftsaujourdhui.com/w/index.php?title=Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/4/en&amp;diff=2361&amp;oldid=prev"/>
		<updated>2024-01-08T18:24:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 8 janvier 2024 à 20:24&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Ligne 1 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 1 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Why Arts and Crafts today? Before the industrial era, craft was a natural part of production, but today the practice of &amp;quot;craft&amp;quot; takes on a different meaning. We believe that it is precisely because of the contrasting relationship craft versus industry that the legacy of the Arts and Crafts movement is still relevant and interesting. It leads us to reflect on our own (and collective) experiences with craft, tradition, technology, form and material. In time of disposable objects, when people easily throw things away, and in time of instant digital images, there is a natural need for tangible and real things. These are the reasons why the Academy of Fine Arts and Design in Bratislava decided to situate the international meeting of artists within the Arts and Crafts Today project in the centre of the glass industry in Slovakia, where the RONA glass factory is located.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Why Arts and Crafts today? Before the industrial era, craft was a natural part of production, but today the practice of &amp;quot;craft&amp;quot; takes on a different meaning. We believe that it is precisely because of the contrasting relationship craft versus industry that the legacy of the Arts and Crafts movement is still relevant and interesting. It leads us to reflect on our own (and collective) experiences with craft, tradition, technology, form and material. In time of disposable objects, when people easily throw things away, and in time of instant digital images, there is a natural need for tangible and real things. These are the reasons why the Academy of Fine Arts and Design in Bratislava decided to situate the international meeting of artists within the Arts and Crafts Today project in the centre of the glass industry in Slovakia, where the RONA glass factory is located.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The current exhibition brings together works by artists from different countries and continents, which The current exhibition brings together works by artists from different countries and continents, which were created during workshops in Lednicke Rovne. Each of the presented works suggests a different were created during workshops in Lednicke Rovne. Each of the presented works suggests a different approach and a different direction. In some there is a approach and a different direction. In some there is a more noticeable link to tradition, in others more noticeable link to tradition, in others traditional technology is revived by experimental methods, others tend more towards projects teetering traditional technology is revived by experimental methods, others tend more towards projects teetering on the edge of applied art and conceptual art. If there is one thing that unites these seemingly on the edge of applied art and conceptual art. If there is one thing that unites these seemingly heterogeneoheterogeneous approaches, it is the emphasis on craft, technology and material starting points. We us approaches, it is the emphasis on craft, technology and material starting points. We believe that it is this anchoring in believe that it is this anchoring in craft, craft, material and specific technology that has been able to convey material and specific technology that has been able to convey new themes to the participating artists, suggest new possibilities and place their work in surprising new themes to the participating artists, suggest new possibilities and place their work in surprising new contexts.new contexts.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SJA</name></author>
	</entry>
	<entry>
		<id>https://artsandcraftsaujourdhui.com/w/index.php?title=Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/4/en&amp;diff=2360&amp;oldid=prev</id>
		<title>SJA : Page créée avec « Why Arts and Crafts today? Before the industrial era, craft was a natural part of production, but today the practice of &quot;craft&quot; takes on a different meaning. We believe that it is precisely because of the contrasting relationship craft versus industry that the legacy of the Arts and Crafts movement is still relevant and interesting. It leads us to reflect on our own (and collective) experiences with craft, tradition, technology, form and material. In time of disp... »</title>
		<link rel="alternate" type="text/html" href="https://artsandcraftsaujourdhui.com/w/index.php?title=Translations:Expositions_%C3%A0_Bratislava_:_VERRE_ET_BIJOUX/4/en&amp;diff=2360&amp;oldid=prev"/>
		<updated>2024-01-08T18:23:20Z</updated>

		<summary type="html">&lt;p&gt;Page créée avec « Why Arts and Crafts today? Before the industrial era, craft was a natural part of production, but today the practice of &amp;quot;craft&amp;quot; takes on a different meaning. We believe that it is precisely because of the contrasting relationship craft versus industry that the legacy of the Arts and Crafts movement is still relevant and interesting. It leads us to reflect on our own (and collective) experiences with craft, tradition, technology, form and material. In time of disp... »&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nouvelle page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Why Arts and Crafts today? Before the industrial era, craft was a natural part of production, but today the practice of &amp;quot;craft&amp;quot; takes on a different meaning. We believe that it is precisely because of the contrasting relationship craft versus industry that the legacy of the Arts and Crafts movement is still relevant and interesting. It leads us to reflect on our own (and collective) experiences with craft, tradition, technology, form and material. In time of disposable objects, when people easily throw things away, and in time of instant digital images, there is a natural need for tangible and real things. These are the reasons why the Academy of Fine Arts and Design in Bratislava decided to situate the international meeting of artists within the Arts and Crafts Today project in the centre of the glass industry in Slovakia, where the RONA glass factory is located.&lt;br /&gt;
&lt;br /&gt;
The current exhibition brings together works by artists from different countries and continents, which The current exhibition brings together works by artists from different countries and continents, which were created during workshops in Lednicke Rovne. Each of the presented works suggests a different were created during workshops in Lednicke Rovne. Each of the presented works suggests a different approach and a different direction. In some there is a approach and a different direction. In some there is a more noticeable link to tradition, in others more noticeable link to tradition, in others traditional technology is revived by experimental methods, others tend more towards projects teetering traditional technology is revived by experimental methods, others tend more towards projects teetering on the edge of applied art and conceptual art. If there is one thing that unites these seemingly on the edge of applied art and conceptual art. If there is one thing that unites these seemingly heterogeneoheterogeneous approaches, it is the emphasis on craft, technology and material starting points. We us approaches, it is the emphasis on craft, technology and material starting points. We believe that it is this anchoring in believe that it is this anchoring in craft, craft, material and specific technology that has been able to convey material and specific technology that has been able to convey new themes to the participating artists, suggest new possibilities and place their work in surprising new themes to the participating artists, suggest new possibilities and place their work in surprising new contexts.new contexts.&lt;/div&gt;</summary>
		<author><name>SJA</name></author>
	</entry>
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